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As for the child Kim (Marilyn Knowlden), she did good, as well as the teenage Kim (Sunnie OвЂ™Dea) whose expressions are on-point in her short segment in the film. The couple Frank Schultz (Sammy White) and Ellie Schultz (Queenie Smith) are quite effective comedians and performers on-stage and humble off-stage, most especially when they willingly help Magnolia (Irene Dunne) find work. Pete (Arthur Hohl) on the other hand, does not seem to be a boat engineer like what his character is, but he carried out his character very well as someone who bothers Julie (Helen Morgan), I thought he is JoeвЂ™s co-worker who is up to no good. Meanwhile, QueenieвЂ™s (Hattie McDaniel) character is also a comedic relief, one of the characters bringing life to the film and an incredibly suitable match to Joe (Paul Robeson).

I view him as a loving father, although he can be goofy at times but he is a real loving father. Her authoritarian aura is perfect and at the same time, she is a comedic relief in other scenes in the film but not as perfect as Captain Andy Hawks (Charles Winninger). Parthy (Helen Westley), a wife to Captain Andy Hawks (Charles Winninger), and a mother to Magnolia (Irene Dunne), is an almost-perfect character for her role. Steve Baker (Donald Cook), JulieвЂ™s (Helen Morgan) spouse, is rather a concerned husband for his troubled wife, and how I liked JulieвЂ™s (Helen Morgan) singing along with Queenie (Hattie McDaniel) and Joe (Paul Robeson)-their voices are blending and transitioning nicely. Among my favorites are Julie La Verne (Helen Morgan), Captain Andy Hawks (Charles Winninger), and Queenie (Hattie McDaniel). I commend JoeвЂ™s (Paul Robeson) character in this 1936 version of the musical, despite that he only has a few scenes, I see his personality, especially in his rendition of OlвЂ™ Man River. It felt as if Gaylord (Allan Jones) is not given justice as a love interest to the daughter of the showboat captain.

Probably because he was not shown for several minutes and the storyline was focused on Magnolia (Irene Dunne) herself, Captain Andy Hawks (Charles Winninger), and others. But, no one would be suitable for Magnolia (Irene Dunne) other than him. He is indeed an exceptional performer, but in this version, he does not have a personality, very different from Magnolia Hawks (Irene Dunne) in this same version. Take Gaylord RavenalвЂ™s (Allan Jones) character. In the 1936 version of Show Boat, I find that there are a few characters who have no personality or do not radiate liveliness when in fact, it should be observed because the film is comedy. If musicality-wise, the 1951 version is better since the musical numbers are more festive. And since the musical is set in different timelines (the late 1880s, 1890s, 1900s, and 1920s), the 1951 version has failed to execute that in the film, and which the 1936 version has achieved. As expected, the 1951 version ended very differently than 1936 one, only that the musical numbers of every character are extended that makes this version of the film more entertaining, giving off comedic episodes.

Scenes are lacking in the 1951 version compared to the 1936 version and there can be scenes lacking in the 1936 version because the 1951 version is revised and altered in some way. The plot of the 1936 version of Show Boat is more accurate than the somewhat revised version from 1951. Show Boat is a drama, romance, and comedy rolled into one family film in terms of its genre. If I were to rate these musical films in MTRCB guidelines or classification, this will be classified as 'PG' wherein parental guidance is suggested since there might be some scenes unsuitable for all audiences. It was first performed in 1927 for Broadway and the entire musical was based on the novel with the same name, Show Boat, by Edna Ferber. Everywhere they go, be it in Chicago, their life story is narrated through a musical. Show Boat is a musical that shows people's diverse lives who worked or has/had affiliations with the Cotton Blossom, a showboat that roams around the Mississippi River. Racial prejudice and other issues are prevalent in Show Boat from 1936 and Show Boat from 1951. (thereвЂ™s a TLDR version at the end)ДЄ Comparison of Show Boat (1936) and Show Boat (1951)

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A Comparison of Show Boat (1936) and Show Boat (1951) Д«efore you read the post, IвЂ™m warning you that IвЂ™m not a critique so this is how an amateur creates a movie critique.